News Story

These objects found in the Scottish Borders, mainly from the Roman fort of Trimontium (modern Newstead), help paint a picture of the Romans in Scotland. Over 200 items, including these highlights, are on loan to the Trimontium Trust. Their award-winning museum in Melrose tells the story of the Roman Empire’s invasions of Scotland.

1. Iron Age copper-alloy armlet

Greenish-brown armlet with an opening facing the viewer. Each end has a large hole in it and a leafy pattern decorates its surface.

This armlet (museum reference X.FA 17) shows the skills and connections of Iron Age societies in the Borders at the time of the Roman conquest. Making a large casting such as this took great expertise: it weighs 600g and is 11cm across.

The flowing decoration is typical of Celtic art in Northeast Scotland, and it was clearly imported from this area. A later owner has trimmed the edges to make it fit them better. It was found with another armlet (now lost) while digging a well at Stichill, north of Kelso, in 1747.

2. Leather shoes

Three shoes on a black background. One is large with a radial pattern of straps, one is medium with less complex straps, and one is small with just the sole surviving.

These leather shoes (museum reference X.FRA 95, 96, 104) survive so well because they were thrown into a well, and the waterlogging preserved them. The different sizes highlight the range of people living in and around the fort. These shoes are for a man, a woman and a child.

Just like today, shoes could be ornate fashion statements with cut-away patterns and stamped decoration. The adult shoes are stitched together from several different pieces of leather, with a hard-wearing sole consisting of multiple layers secured with iron hobnails. The child’s shoe is cut from a single piece of leather. These shoes were thrown away because they were worn out.

3. Brass arm guard

Interlinked series of rusted panel-like metal sheets set upon foam in the rough shape of a limb, getting wider as it goes up.

Roman soldiers were heavily armoured to protect themselves in battle. Infantry often wore a flexible arm guard (museum reference X.FRA 116.2) on their sword arm. The metal would stop the cut of a blow, with a padded lining to absorb the shock. Most arm guards were of iron, but this one is of brass, one of only three known from the whole Roman empire. This is the lower part, tapering towards the hand which was protected by the rectangular plate. Small holes in the corners once held rivets for leather straps; the larger holes at the ends were used to fasten the padded lining.

4. Iron dolabrae (pick-axes)

Seven pick-axe heads, each with a nasty looking spike on the back. Not much variation in size, though some are more badly rusted than others.

The pick-axe, dolabra (museum reference X.FRA 225-231), was a fundamental part of a soldier’s kit. It was a multi-purpose construction tool, mounted on a wooden shaft and used for breaking ground, shaping timber, and levering things into place. Some of these examples have damaged edges from heavy use.

5. Iron scythe

Metal hook with two punch holes oriented to resemble a very large fish hook.

This scythe (museum reference X.FRA 288) is a formidable tool, almost 80cm long, which was used to gather hay for ever-hungry cavalry horses. The blunt end once fastened to a long wooden shaft. Its remarkably good condition is because it was buried in waterlogged conditions, preventing the iron from rusting.

6. Iron hanging lamp

Dark brown lamp with figure-eight basin, long neck pointing up terminating at a loop, and a spear-like appendage pointing diagonally down to the left.

In the long dark nights of a Caledonian winter, soldiers needed light. In the barracks, this came from burning wooden torches or tapers, or the light of a fire. For the officers, oil lamps lit up their quarters. This iron example (museum reference X.FRA 1108) is similar to a traditional Scottish crusie lamp. Its long spike allowed it to be stuck into a timber or hung from a hook at different angles.

Olive oil was poured into the figure-of-eight base, and a wick of rush or cord was hung over the edge and lit. The attention lavished on small decorative details, such as twisting the rod and rolling the ends of the hooks, shows that this was an expensive item.

7. Bronze cooking pot

A wide pot, yellow-brown in colour standing upright against a black background.

The soldiers in one barrack room cooked communally. Vessels like this (museum reference X.FRA 1187), hammered to shape out of bronze sheet, were highly practical. They were much more durable than pottery, making them suitable for campaign use as well as back at base. Pairs of holes in the rim once held fittings for an iron carrying handle.

8. Pair of imported quernstones

Two brown quernstones one atop the other. Perfectly round, with a regular but coarse-looking surface of lines making it resemble a loaf of burnt bread.

Quernstones (museum reference X.FRA 1641) were used by soldiers to grind flour for baking bread. Grain was poured into the hole in the top. The iron plate held a spindle which stabilised the two stones and allowed the fineness of the flour to be adjusted. A wooden handle in the iron socket on the edge was used to turn the upper stone. This crushed the grain and flour fell out of the edge between the two stones.

The best querns were made from imported lava from Mayen, near Koblenz in western Germany. The natural bubbles in its structure meant it didn’t wear out, and that there were always fresh sharp edges exposed. Finished querns were shipped up the Rhine and across the North Sea.

9. Gemstone showing the emperor Caracalla

Small red gemstone that looks almost like a wax seal. Egg-shaped, with a male figure sporting right curls and large nose in profile facing left.

The fields around Newstead have produced a rich crop of Roman gemstones. This remarkable example (museum reference X.2000.4) was discovered by local amateur archaeologist Walter Elliot when he was walking over the ploughed fort site in 1998. It brings alive a key moment in Scotland’s history when massive Roman armies marched north in AD 209 and 210 to quell unruly tribes. This huge army was led by the emperor Septimius Severus and his son and co-emperor Caracalla, whose face is carved into this gem.

The gem of red jasper was once set into a ring, probably of gold. It was given as a personal gift from the emperor to one of his close supporters who was travelling with him. The recipient must have been rather worried about the emperor’s reaction when he discovered the gem had popped out of the ring!

10. Iron ring with a gem showing Maenad

A gemstone of grey-blue set within a badly rusted ring. An elegant figure in black stands within, poised like a dancer.

Carved gemstones were both beautiful and functional. This example (museum reference X.2000.17.3) is the only one from Trimontium which still preserves its iron finger ring. Gem-set rings were practical jewellery: the design on the gem acted as the owner’s mark when they impressed it in wax seals.

The designs often featured deities or mythical figures. This one shows a Maenad, a female follower of the wine-god, Bacchus. She is playing an aulos, a double-pipe, and dancing ecstatically, her dress flowing as she spins. For the wearer, this probably evoked the good life they dreamed of.