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Image © National Museums Scotland
View full screenSet of bellows bagpipes or small pipes of ivory, made by John Naughtan of Aberdeen, 1824 - 1842
H.LT 37
Naughtan, John, 1824 - 1842 (fl.), Manufacturer
Aberdeen, Aberdeenshire, Scotland, Northern Europe
1824 - 1842
Campbell, Jeannie. Highland Bagpipe Makers. Magnus Orr Publishing, 2001.
Baines, Anthony, Bagpipes. Occasional Paper on Technology 9, Oxford University Press, 1973.
130 results found
Pair of headphones with earpiece magnets moulded in a synthetic resin, by the British Thomson-Houston Co. Ltd, 1923
Head clamp for clamping the human head whilst taking x-rays to locate the position of foreign bodies in the eye
Head rest for photographic studio use, in cast iron on a flat tripod base, by Harvey Reynolds & Co., Leeds, c. 1860
Head-rest in light brown wood with the base and half pillar octagonally faceted, with ivory pins: Ancient Egyptian, New Kingdom, 18th - 19th Dynasty, c.1550-1186 BC
Head-rest of acacia wood inlaid with triangular pattern of ivory and East African ebony, made in three pieces , the long narrow base and pillar are octagonally faceted: Ancient Egyptian, Upper Egypt, Thebes, Qurna, 2nd Intermediate Period, 17th Dynasty, c.1585-1545 BC
Headrest of brown hard wood, in two pieces consisting of a central round column and a separate curved rest: Ancient Egyptian, probably early Middle Kingdom
Red pottery model of an actor wearing a comedy mask: Ancient Egyptian, Middle Egypt, Oxyrhynchus, Roman Period, c.30 BC - AD 395
Headdress (sapaunpe), circlet of twisted wood shavings with pieces of brown cotton, wooden representation of a bear's head at front, worn by men in ceremonies: Japan, Hokkaido, Ainu, 19th to early 20th century
Pagor (headdress) consisting of cane and red cloth loops decorated with turquoise, coral and strings of pearl-like glass beads, and with two attached human hair plaits, style of headdress worn by women in southern Tibet, part of a woman's outfit held in place with cords and hooks: Tibet, 19th century AD
Headdress, broad black brim with central cone painted with wrathful deity design, and with separate ornament and pad, part of a 'Black Hat' Cham Dance costume worn by Tibetan Buddhist monks: Tibet, 19th - early 20th century AD
Headdress pad of black velvet, ring-shaped, for a separate headdress, part of a 'Black Hat' Cham Dance costume worn by Tibetan Buddhist monks: Tibet, 19th - early 20th century AD